for Solo Cello
From the program notes:
“Constant touch and the extraneous noise that is bound to accompany it are the only true ‘play’ that I hope to engage in — gently, carefully, through a framework that grants the player freedom to progress at their own pace. I am interested in the instrument’s breath, in laying all of its minute, overlooked noises bare: Where is the fulcrum between cello silence and cello sound, and, when expanded, how can that fulcrum be sustained in its own audible realm?”
for Solo Cello
From the program notes:
“Constant touch and the extraneous noise that is bound to accompany it are the only true ‘play’ that I hope to engage in — gently, carefully, through a framework that grants the player freedom to progress at their own pace. I am interested in the instrument’s breath, in laying all of its minute, overlooked noises bare: Where is the fulcrum between cello silence and cello sound, and, when expanded, how can that fulcrum be sustained in its own audible realm?”